THE BONEMAN.COM
THE BONE BUILDING BOOKS
Step by step guides for the
preparation and articulation of
animal skeletons.
BY LEE POST (a.k.a. Boneman)
This all started with an email I received from Jessica Brainard, exhibition development person, who had once
previously worked at the Pratt Museum (our local natural history museum ), at a time when I was doing a collaborative
Sperm Whale Project at the local high school. This was almost two decades earlier. She remembered me and
contacted me to see if I might be interested in working on this whale project for the California Academy of Sciences,
the following spring. But better yet, they wanted to open the project up to their volunteers, docents and staff who were
interested in helping to assemble the skeleton. Does a scientist make notes? Does an Alaskan appreciate warmer
weather? (Not that it was any warmer in San Francisco most mornings or evenings.)
Is glacier ice cold? Of course I wanted to go!

Francisco. It was collected and cleaned by super staff leaders Moe Flannery and Sue Pemberton, along with
lots of dedicated volunteers. They first had to haul it up a steep bluff and hike it out to the nearest road access.
The whale's head alone weighed about 200 pounds. The whale was cleaned mostly by bacterial maceration in
warm water and degreased and whitened with warm water (salt and fresh), detergents, and sodium porborate.
The skull was further whitened by leaving it out in the weather on the living roof of the Academy.
Thus the bones were as nice as they could be.

The exhibit designer people wanted to know if I could slow the project down to make it a two month project. It would be
a little incongruous trying to work in slow motion on an exhibit called BUILT FOR SPEED (plus I had to be back in
Homer for a writers conference) so we ended up planning on it being a 30-day project.

I admit I was a little nervous about signing on with an institution as large and prestigious as the California Academy of
Sciences, especially after I saw the fifteen page contract I was given to sign that was full of legal language that
contained parts I could only occasionally understand. But after visiting the Academy on a preview trip, and meeting
the players, I was totally enamored by such a dynamic group of young, enthusiastic science oriented people.

Now, this little museum in San Francisco
only averages about 5000 visitors a day. The Orca Lab was going to be right
smack in the middle of the museum behind some low, step-over barricades, and the public was going to be up close
and personal. I couldn't imagine that we could make much forward progress in such an environment, but they had it
pretty well thought out.

They signed up thirty-seven volunteers, a handful of staff organizers, and scheduled six workers a shift - two
three-hour shifts a day - six days a week. Two of the volunteers at a time were
Engagers. Their job each shift was to
talk to and interact with the public and answer any questions they had, so the rest of us could make forward motion. I
could come early or work late if I wanted. Anything I needed I just had to ask and - like magic - it would appear.

I kept waiting for the stuffy old guard to show up with a list of things I could and couldn't do. But if they were there they
kept them well hidden because all I ever encountered were young, or young-at-heart, enthusiastic,
science-obsessed, individuals who found their dream niche of a place to work. It was intoxicating being in a place
where everyone I met was so enthused about whatever their particular passion was: the guy photographing spiders;
the gal studying a particular genus of exotic nudibranchs; the Brazilian fish scientist there to study her genus of little
fish from the collections; the scientific illustrator drawing botany specimens; the working student doing research on
elephant shrews (who's even heard of elephant shrews?); the fifteen year old birding prodigy - it went on and on.

The goal - we were reminded - was to have the project last thirty days. Not any longer. Not any shorter. So I went
through a daily exercise of crunching numbers and schedules and time lines trying to figure out where we were and
where we should be. Alternately, I was convinced we were either going too fast - or there was no way we could get it
done. A lot of this depended on how far we made it on that particular day. I had some tool-using super volunteers who
could have single handedly built the skeleton in two weeks, and others that were so careful and slow that it felt like no
progress happened that shift. The game was to slow the super builders down and give confidence to the overly
cautious ones so they would make forward steps. (Some of these volunteers were high school student science nerds.
Hey, I was one myself once so could totally relate.)
Just when I couldn't imagine a skeleton project getting any better, one did. In the spring of 2013 I was
invited to go to San Francisco to work on a skeleton for an exhibit in a little place in Golden Gate Park,
called the California Academy of Sciences. The exhibit tied into the America's Cup sailboat race that
was being hosted in San Francisco that summer. There was to be a 45-foot racing catamaran
suspended in the museum, and corresponding exhibits having to do with the fastest ocean creatures -
which have
Now this whale, being a relatively unknown ecotype Offshore Orca, is likely the only articulated skeleton on display of
this type language, they live offshore in way bigger groups than the resident or transient killer whales we mostly
know about. But most bizarre of all is the fact that the teeth of this whale were worn down to the gum line with pulp
cavities exposed in many of the teeth. And this whale had yet to reach its teenage years (they can live as long as we
do). While I was working on this whale in San Francisco, offshore orcas (which occasionally come close to shore)
were being documented in Kachemak Bay (where I live in Alaska) for the first time ever. The whale scientists
scooped up some floating matter from where those whales were feeding and identified it as sleeper shark liver
(evidently a favorite food for these whales). Sleeper sharks have rough, tooth-like denticles in their skin which act
just like sandpaper on the Orca Whale teeth, wearing them down quickly. Of course this raises all kinds of
unanswered questions such as. . . .

The project went smoother than a sea otter pelt,  finishing up the last day at 4:30 PM, giving us barely enough time
to put away our stuff before they whisked me off to the "orca skeleton completion party" and an amazing evening at
Ray Bandar's house. Ray has the largest collection of skulls and osteological treasures I've ever heard of in one
house - like over 1000 sea lion skulls alone - and that's just the sea lions. Some 7000 skulls live in that house. Look
him up on Google.

Another fantastic  project.

Thank you California Academy people.
The Orca Lab - Where it all happened
- inside this little cubicle - surrounded
by visitors and other exhibits.
Moe Flannery, Collections Manager of
Birds and Mammals. She was the
mother of these bones, making sure
each one of them was perfect and
comfortable in the growing skeleton.
The living Roof of the Academy, with
the skull (on the ground) being
whitened.
Sorting, measuring, and labeling of the
ribs.
Another dynamic duo, labeling and
measuring the vertebrae.
Studious One cleaning a carpal bone.
End of the tail.
Making a full-size template to be built
on for the tail.
Drilling the humerus
Super fingers doing their magic at
smoothing the silicone cartilage. Could
they concentrate any more intensely?
Ultimate siliconers in action,
making cartilage between the
vertebrae.
Cartilage from a side view.
swing. Not sure what the knife is about to
do.
trickiest part on the skeleton.
Adjusting the jaw. Moe was very specific
about
exactly how big of a smile it should
have.
Shark's-eye-view of its last free
swimming moments. Notice how worn
the teeth are from eating too many
rough-skinned sharks.
Almost finished skeleton.
Broken rib. The necropsy showed the
whale had blood in the larynx and in the
pleural cavity. The skeleton had blood
stains in the vertebrae above a fresh
break. The rib had also been broken on
previous occasions.
The whale as I had left it for the
remainder of the exhibit. It will probably be
a permanent exhibit item in another
location of the building.
click on photos to enlarge
See the Academy's blog about this project: http://www.calacademy.org/blogs/jdumbacher/?p=680
See a time-lapsed video of the building of this whale skeleton: http://video.calacademy.org/details/627
Visit the California Academy of Sciences: http://www.calacademy.org/
TheBoneman.com  copyright 2005 by Lee Post                                                      Illustrations copyright  by Lee Post. All Rights Reserved                                                                        Merry Web Designs copyright 2005
THIS SITE LAST UPDATED: February 20, 2016